Sense of sight

Sense of sight

Your eyes are your most important sensory organ. They are the only organs located visibly on your body’s surface. “Seeing” is often used synonymously for “observing” or “understanding”. Yet in actual fact, your eyes only see colours and light and dark. You can see shapes, motion and proportions because your eyes move and work together with the senses of movement and balance.

It is easier to block visual stimuli than smells or tastes. There is a distance between you and what you see and thus you observe more consciously. Of all your senses, sight contributes most to your awareness. You are an organism with conscious thought, which is intricately involved with the act of seeing. This also means that it is easier to be mistaken about what you see than what you smell, for example. Sometimes, your thoughts determine what you see. You can experience this in two of the exercises, below.

The sense of sight is the most popular sense for scientific observation. Everything is expressed visually, often in numbers, because the eyes are supposed more reliable than other, ‘more primitive’ senses such as smell and taste. The eyes are considered to be objective.

The eye is a transparent oval ball into which light enters. Light rays first pass through the cornea and then through the pupil. The pupil detracts and expands, depending on how little or how much light there is. The pupil is located in the centre of the iris. After passing through the pupil, the light is concentrated by the lens, it passes through the eyeball and falls onto the retina. The retina has conical and rod-shaped receptors.

Cross section through the eye

The eyeball is made up of a transparent, colourless, jellylike substance containing 99% water. The tissue of the cornea has a somewhat crystalloid structure. The rod-shaped photo-receptors on the retina (pars optica) can sense light and dark, while the conical-shaped receptors (pars caeca) are sensitive to colours. The pars optica adapt very well to changes in the degree of light, as you will have experienced on entering a darkened room. First you see nothing, but after a while you can see quite a lot and find your way around. You cannot see colours in the dark. The yellow spot is the most sensitive part of the retina and is made up solely of pars caeca. The place where the bundled optical nerve leaves the eye is called the blind spot, as the eye has no receptors to register anything here.

Most people can see about 150 colours, though some can see more. We can perceive the subtlest differences in the colour green. Colours can affect your mood. Red makes people active. It is perceived as being lively and restless, and boosts strength and energy. Orange makes people enthusiastic, while yellow radiates and gives a sense of cheer. Green is restful and balanced. Blue is a cool colour and stimulates thought. White is the reflection of the spirit; it gives us a sense of purity and symbolises chastity . Black, on the other hand, evokes human sorrow.

A rainbow: red at the dark side, blue at the light side

Goethe discovered that colours are a result of the play between light and dark. You see red, orange and yellow when you look out of the dark at something light, the sunset for instance. Blue and violet predominate when you look from the light at something dark. That is why the sky is blue: it is light here on earth, but black in space.

Goethe put it this way: light’s victory over darkness results in active colours (red, orange and yellow), while the victory of darkness over light brings out passive colours (blue, indigo and violet). You can verify this by looking at a rainbow. The sky is always darker at the top of the rainbow than at the bottom, and the red is always on top where it is darker, and the violet on the bottom, where it is lighter. You can find evidence for this rule in brown eyes, where the iris is red nearest the pupil, and green or bluish nearest the white of the eye.

Colours are arranged on a colour wheel in a succession of red, orange, yellow, green, blue, indigo, violet, then back to red and so on. Only colour can be arranged in a circle, it does not work with other observations.

A colour circle

When you stare at a colour intensely for a while and then look away, you will see an after-image, an image whose colour is the opposite, or the complement (on the colour wheel), of the original. For example, if you stare at a violet-red object for a minute, you will see an after-image made up of green and blue, since green complements violet and blue complements red. During prolonged exposure to a bright colour, the conical receptors on the retina that perceive the colour become desensitised. The negative after-image occurs during the recovery of the desensitised retina. The colour of the after-image is not a physical, material colour; rather, it has a lingering, unearthly and transparent quality. You could describe it as an etheric colour.

The effect of colours on mood has been demonstrated effectively in scientific experiments such as the following. The subjects in this experiment did not know what the purpose of the experiment was. One half of the group was told to paint a certain picture with red paint, while the other half was told to paint the same picture with blue paint. After fifteen minutes of painting, the group using red paint was louder and more restless than the group using blue paint. This experiment showed how mood was affected by these colours.

Another experiment was carried out in a factory. One room in the factory was painted in the usual colours and the other in soft, human tones. Before long, workers in the second room had achieved a 15% higher production rate and taken 30% less sick leave than those in the first room.

	PHENOMENOLOGY The senses			Man is a sun; and his senses are the planets. Novalis